TIME HAS a strange way of stretching and compressing these days. After missing last week's Weekend Links, it feels like an eternity has passed—the days bleeding into one another like mascara in the rain.
This past summer, I booked a plane ticket to Los Angeles with the hope of investigating what seems likely to be one of the oddest legacies of our rapidly expiring decade: the gradual emergence, among professionally beautiful women, of a single, cyborgian face.
Cultural upheavals can be a riddle in real time. Trends that might seem obvious in hindsight are poorly understood in the present or not fathomed at all. We live in turbulent times now, at the tail end of a pandemic that killed millions and, for a period, reordered existence as we knew it. It marked, perhaps more than any other crisis in modern times, a new era, the world of the 2010s wrenched away for good.
THERE IS a Welsh word, hiraeth, that is used to describe a homesickness for a home to which you cannot return, a home which maybe never was; the nostalgia, the yearning, the grief for the lost places of your past. I've been studying words in other languages recently, marvelling at how different languages have so many descriptive ways to denote very specific feelings or situations.
Many people have put forth theories about why, exactly, the internet is bad. The arguments go something like this: Social platforms encourage cruelty, snap reactions, and the spreading of disinformation, and they allow for all of this to take place without accountability, instantaneously and at scale.
ONE OF our favourite things to do in London is stroll the down tree-lined streets of Mayfair, amongst the Georgian townhouses with their grand façades, all intricate architecture and delicate wrought iron detailing.
ON SATURDAY we cycled to Richmond Hill for a picnic. We were hoping to see the turning leaves, but it must still be too early here yet. P picked up a bottle of our favourite cava, an absolutely delicious baguette and some extraordinary brie and we laid down our plaid wool blanket in the grassy area overlooking the Thames...
If there’s one thing authors love more than procrastinating, it’s praising one another. During the Renaissance, Thomas More’s Utopia got a proto-blurb from Erasmus (“divine wit”), while Shakespeare’s First Folio got one from Ben Jonson (“The wonder of our stage!”).
I recall having breakfast at a hotel in Brussels in 2017 and sitting across from Douglas Coupland, the author of Generation X: Tales for an Accelerated Culture, the 1991 book that gave my generation a sort of name that was really only a placeholder for a name. I wanted to tell him how much I resented him for this, but I couldn’t muster the courage to be disagreeable.
A half-formed thought feels worse than an empty head—the tip-of-the-tongue sensation, the inkling of a there there without the foggiest notion of how to get, well, there. Especially dire is when the “what” that we wish to articulate feels half-formed itself, something observable yet emergent, for which the masses have yet to find language.
In 1967, the physicist John Wheeler was giving a lecture about a mysterious and startling phenomenon in deep space that the field was just beginning to understand.
Since the pandemic upended the world, we’ve been getting plenty of mixed signals about cities. We’ve heard both that cities like New York are over and that they’re immensely popular. Are they bastions of disease that people will forever avoid?
What AI Teaches Us About Good Writing
As soon as I sit down to write, I feel compelled to scrub my bathtub and reorganize my filing cabinet — the most tedious chores suddenly become more appealing than the task at hand. Writing can feel so daunting that we’ve invented the term writer’s block to describe the unique sensation of its challenge, and we debate whether the ability to write well is learned or simply innate.
On a Monday morning in April, Sam Altman sat inside OpenAI’s San Francisco headquarters, telling me about a dangerous artificial intelligence that his company had built but would never release. His employees, he later said, often lose sleep worrying about the AIs they might one day release without fully appreciating their dangers.
An amber-colored glass paperweight sits in my nightstand drawer. It used to belong to my dad, who recently died, and to his grandmother before him. It’s shaped like a cube, with delicate flowers painted on each side, and it’s heavy in my palm. But I rarely pick it up, because I have no papers that need weighing down. The object occupies valuable space that might otherwise be used for a book, tissues, or anything else that I actually use. Still, I keep it, along with a few other pieces of what you might call “sentimental clutter”—personally meaningful yet impractical objects: a box of old birthday cards, a chipped seashell, a loyalty card for a café that no longer exists.
