Joined28 March 2014
Articles711
Turn your mind for a moment to a friend or family member you cherish but don’t spend as much time with as you would like. This needn’t be your most significant relationship, just someone who makes you feel energized when you’re with them, and whom you’d like to see more regularly.
Sunday Best is a brand new feature here at TIG that we plan on making a recurring one. Each Sunday, we will bring you a cross-section of interesting articles, links, ideas, music, culture, and anything else we think might be interesting or entertaining⏤the perfect supplement to your Sunday and one we hope you will add to your routine.
If you’ve ever emerged from the shower or returned from walking your dog with a clever idea or a solution to a problem you’d been struggling with, it may not be a fluke. Rather than constantly grinding away at a problem or desperately seeking a flash of inspiration, research from the last 15 years suggests that people may be more likely to have creative breakthroughs or epiphanies when they’re doing a habitual task that doesn’t require much thought—an activity in which you’re basically on autopilot.
What gives you a sense of awe? That word, awe—the feeling of being in the presence of something vast that transcends your understanding of the world—is often associated with the extraordinary. You might imagine standing next to a 350-foot-tall tree or on a wide-open plain with a storm approaching, or hearing an electric guitar fill the space of an arena, or holding the tiny finger of a newborn baby.
“Time — a few centuries here or there — means very little in the world of poems.” There is something reassuring about Mary Oliver’s words. Especially in an era of rapid change, there is comfort to be had in those things that move slowly. But oceans rise and mountains fall; nothing stays the same. Not even the way poetry is made.
Cheers and mazel tov! We’ve made it halfway through January. Yes, our bodies endured a pounding through the festive frivolities, but through that excruciating cumulative hangover we somehow survived. Our recycling bins have been collected, those bottles of bubbly out of sight and mind. New-year-new-me resolutions can now be abandoned. Anyone fancy a pint?
Work is not going well lately. Exhaustion and burnout are rampant; many young people are reconsidering whether they owe all their energy to their jobs, as seen in the widespread popularity of “quiet quitting.” An ongoing wave of unionization—including at Amazon and Starbucks—has led to victories, but has also been met with ferocious resistance from management. In this context, or perhaps in any context, it might feel absurd to imagine a society in which workers can’t get enough of work. It certainly would have seemed ludicrous to readers of the French firebrand Paul Lafargue’s satirical 1883 pamphlet, The Right to Be Lazy, in which he invents a Bizarro World where workers cause all kinds of “individual and social miseries” by refusing to quit at the end of the day.
Sunday Best is a brand new feature here at TIG that we plan on making a recurring one. Each Sunday, we will bring you a cross-section of interesting articles, links, ideas, music, culture, and anything else we think might be interesting or entertaining⏤the perfect supplement to your Sunday and one we hope you will add to your routine.
People, trends, companies, culture—they live, and then they die. They come and go, and when they depart, it’s not by choice. Habituation breeds solace, but too much of that solace flips it into folly. The pillars of life became computational, and then their service providers—Facebook, Twitter, Gmail, iPhone—accrued so much wealth and power that they began to seem permanent, unstoppable, infrastructural, divine. But everything ends. Count on it.
When you and I look at the same object we assume that we’ll both see the same color. Whatever our identities or ideologies, we believe our realities meet at the most basic level of perception. But in 2015, a viral internet phenomenon tore this assumption asunder. The incident was known simply as “The Dress.”
The oil giant Exxon privately “predicted global warming correctly and skilfully” only to then spend decades publicly rubbishing such science in order to protect its core business, new research has found.
Communities can be amazingly resilient after traumas. Londoners banded together during the German Blitz bombings of World War II, and rebuilt the city afterward. When I visited the Thai island of Phuket six months after the 2004 tsunami killed thousands in the region and displaced even more, I found a miraculous recovery in progress, and in many places, little remaining evidence of the tragedy. It was inspirational.
Somewhere near the center of Nevada, on the western slope of the Toiyabe Range, there’s a little meadow beside a creek running down from the mountains. In 2019, long before I had ever been there, a man named James Fredette drove his mobile home down the gravel road from the highway and went fishing. It was a lucky day: He caught three big rainbow trout. Then, as the light turned golden and began to fade from the canyon while Fredette packed up his gear, he thought, why not, and walked back down to the creek to try his luck panning for gold. He turned up a few nuggets, right there. Yes, it was a very lucky day.
April is the cruellest month because we are stuck. We’ve stopped dead and we’re going rotten. We are living in the demesne of the crippled king, the Fisher King, where everything sickens and nothing adds up, where the imagination is in shreds, where dark fantasies enthrall us, where men and women are estranged from themselves and one another, and where the cyclical itch of springtime—the spasm in the earth; the sizzling bud; even the gentle, germinal rain—only reminds us how very, very far we are from being reborn.
During one of my more desperate phases as a young novelist, I began to question whether I should actually be writing my own stories. I was deeply uninterested at the time in anything that resembled a plot, but I acknowledged that if I wanted to attain any sort of literary success I would need to tell a story that had a distinct beginning, middle, and end.