. . . has been one of those slightly chaotic, always busy, work-filled weeks, with many cups of coffee and...
. . . as you know, rather the romantic sort, and had always dreamed of bicycling along the cobblestone...
AND SPRING’S EASY PIECES come in soft & subtle and strong & sexy shades of sheer . . .
. . . the magnolias are set to bloom, and everywhere, the colour of cherry blossoms and shall always and...
Experiencing a little spring fever with the balmy winds and fluttering palm trees and have rounded-up a few lovely things...
“Autumn arrives in early morning, but spring at the close of a winter day.“ ~ Elizabeth Bowen . . ....
. . . a collection of stunningly lovely lacy things has been quietly forming for some time now, even before...
HAVE YOU SEEN the new pieces for the Isabel Marant Étoile collection at La Garçonne? Relaxed and easy, there are lacy little...
. . . and while on the topic of ethereal spring whites, lately [& perhaps always], have been searching for...
It’s been 25 years since Ben Affleck became the youngest person to win the Oscar for best original screenplay at age 25 for Good Will Hunting, which he wrote with Matt Damon; 16 years since he directed his critically acclaimed first feature, Gone Baby Gone; and a decade since he won best picture for Argo, a film Affleck directed, starred in and produced. His four features as a director — all thrillers and dramas instead of the kind of franchise films that drive the modern box office — have made nearly $450 million worldwide.
. . . there are five bouquets of fresh flowers in the living room, all in pretty antique vases, milk...
LACE FEELS RIGHT FOR SPRING, and while it has been traditionally used to convey modesty and purity, the Porter woman wears...
IN LATE APRIL, Kendall Jenner stepped out in a pair of wide-legged pleated pants, a white t-shirt paired with an oversized crisp white shirt. It was head-to-toe The Row, and it was easily the chicest spring outfit this year. The epitome of casual elegance, it was both dressy and comfortable ...
His relationship with social media is a striking manifestation of the worries expressed by the French philosopher Guy Debord, in his classic work The Society of the Spectacle (1967). Social life is shifting from ‘having to appearing – all “having” must now derive its immediate prestige and its ultimate purpose from appearances,’ he claims. ‘At the same time all individual reality has become social.’
