During one of my more desperate phases as a young novelist, I began to question whether I should actually be writing my own stories. I was deeply uninterested at the time in anything that resembled a plot, but I acknowledged that if I wanted to attain any sort of literary success I would need to tell a story that had a distinct beginning, middle, and end.
In any given year, the exercise of assembling a definitive list of the best places to travel is both exciting and daunting. After all, we’re never short on inspiring places and experiences we hope to cross off. And so, every fall, when we convene to start the process of creating this list, we do so with great care, enlisting our extensively traveled network of writers from around the world—and for the first time this year, editors from other Condé Nast Traveler markets—to pitch, endorse, defend, and eventually align on the places we believe that you, as our readers, will most want to travel to over the next 12 months.
The first thing that strikes me about Anna Sorokin when I meet her in person — after reading about her and watching Julia Garner play her with that elaborate Euro accent — is how regular she is. There’s nothing particularly charming or memorable about her, she’s not a smooth talker, and she’s not really stylish. But she is, in person, surprisingly deadpan funny. Having been behind bars for nearly five years (19 months in Rikers, 21 months in state prison, then 18 months in ICE detention), she has quite a sense of humor about being Anna Delvey.
In January 2021, 18 months after a sticky divorce, I bought a house. I bought it partly because I could – my ex-wife and I had got lucky on the property ladder and walked away with enough money for a deposit each. But also, I bought it because I was desperate. With shared custody of our two-year-old daughter, I needed a place where she could be happy and where I could get back on my feet.
Many science students may imagine a ball rolling down a hill or a car skidding because of friction as prototypical examples of the systems physicists care about. But much of modern physics consists of searching for objects and phenomena that are virtually invisible: the tiny electrons of quantum physics and the particles hidden within strange metals of materials science along with their highly energetic counterparts that only exist briefly within giant particle colliders.
The immense and forbidding Southern Ocean is famous for howling gales and devilish swells that have tested mariners for centuries. But its true strength lies beneath the waves. The ocean’s dominant feature, extending up to two miles deep and as much as 1,200 miles wide, is the Antarctic Circumpolar Current, by far the largest current in the world. It is the world’s climate engine, and it has kept the world from warming even more by drawing deep water from the Atlantic, Pacific and Indian oceans, much of which has been submerged for hundreds of years, and pulling it to the surface. There, it exchanges heat and carbon dioxide with the atmosphere before being dispatched again on its eternal round trip.
Early in 2004, a buoy was released into the waters off Argentina. Half of the buoy was dark and the other light, like a planet in relief. The buoy sailed east, accompanied by the vastness of the ocean and all the life it contains, the long-lived great humpback whales with their complex songs that carry for kilometers, and the short-lived Argentine shortfin squid. Along the way, many thousands of minuscule creatures were colonizing this new surface, which had appeared like a life raft in the open waters of the South Atlantic.
LAST SUMMER, five months into lockdown and two hours past midnight, I found myself glaring at my reflection in the bathroom mirror with five drops of Bertolli extra virgin olive oil drizzling down my nose. After an evening spent picking at my pores, I had found a buried Reddit thread suggesting I massage my skin with oil to rid it of the tiny grey spots that dotted its surface. These little nuisances—or “sebaceous filaments”—are not acne but passages that carry oil from the pores to the skin’s outer layer. Everyone has them, and they are not visible to the human eye except from an intimate distance. But, under lockdown, with the distance between my visage and the mirror shrinking with each passing day, I’d become obsessed with purging my face of these invaders.
His relationship with social media is a striking manifestation of the worries expressed by the French philosopher Guy Debord, in his classic work The Society of the Spectacle (1967). Social life is shifting from ‘having to appearing – all “having” must now derive its immediate prestige and its ultimate purpose from appearances,’ he claims. ‘At the same time all individual reality has become social.’