This past December, the physics Nobel Prize was awarded for the experimental confirmation of a quantum phenomenon known for more than 80 years: entanglement. As envisioned by Albert Einstein and his collaborators in 1935, quantum objects can be mysteriously correlated even if they are separated by large distances. But as weird as the phenomenon appears, why is such an old idea still worth the most prestigious prize in physics?
From a distance, you might have mistaken them for teenagers, though they were in late middle age. It wasn’t just the miniskirts and heels on their slim frames, or the ponytails and flaming lipstick, but the girlish way the women held hands, stroked arms, massaged shoulders, smoothed sleeves and straightened bag straps, giddy with affection. Their makeup was heavy, with boldly pencilled brows, and their long hair tinted black or dyed brassy blond – recreating a youth that had never been theirs to enjoy.
Many social scientists agree that contemporary American men are mired in malaise, even as they disagree about the causes. In academic performance, boys are well behind girls in elementary school, high school, and college, where the sex ratio is approaching two female undergraduates for every one male. (It was an even split at the start of the nineteen-eighties.) Rage among self-designated “incels” and other elements of the online “manosphere” appears to be steering some impressionable teens toward misogyny.
Balmoral Castle, in the Scottish Highlands, was Queen Elizabeth’s preferred resort among her several castles and palaces, and in the opening pages of “Spare” (Random House), the much anticipated, luridly leaked, and compellingly artful autobiography of Prince Harry, the Duke of Sussex, its environs are intimately described.
Turn your mind for a moment to a friend or family member you cherish but don’t spend as much time with as you would like. This needn’t be your most significant relationship, just someone who makes you feel energized when you’re with them, and whom you’d like to see more regularly.
Cheers and mazel tov! We’ve made it halfway through January. Yes, our bodies endured a pounding through the festive frivolities, but through that excruciating cumulative hangover we somehow survived. Our recycling bins have been collected, those bottles of bubbly out of sight and mind. New-year-new-me resolutions can now be abandoned. Anyone fancy a pint?
The oil giant Exxon privately “predicted global warming correctly and skilfully” only to then spend decades publicly rubbishing such science in order to protect its core business, new research has found.
Work is not going well lately. Exhaustion and burnout are rampant; many young people are reconsidering whether they owe all their energy to their jobs, as seen in the widespread popularity of “quiet quitting.” An ongoing wave of unionization—including at Amazon and Starbucks—has led to victories, but has also been met with ferocious resistance from management. In this context, or perhaps in any context, it might feel absurd to imagine a society in which workers can’t get enough of work. It certainly would have seemed ludicrous to readers of the French firebrand Paul Lafargue’s satirical 1883 pamphlet, The Right to Be Lazy, in which he invents a Bizarro World where workers cause all kinds of “individual and social miseries” by refusing to quit at the end of the day.
Communities can be amazingly resilient after traumas. Londoners banded together during the German Blitz bombings of World War II, and rebuilt the city afterward. When I visited the Thai island of Phuket six months after the 2004 tsunami killed thousands in the region and displaced even more, I found a miraculous recovery in progress, and in many places, little remaining evidence of the tragedy. It was inspirational.
If you’ve ever emerged from the shower or returned from walking your dog with a clever idea or a solution to a problem you’d been struggling with, it may not be a fluke. Rather than constantly grinding away at a problem or desperately seeking a flash of inspiration, research from the last 15 years suggests that people may be more likely to have creative breakthroughs or epiphanies when they’re doing a habitual task that doesn’t require much thought—an activity in which you’re basically on autopilot.
Somewhere near the center of Nevada, on the western slope of the Toiyabe Range, there’s a little meadow beside a creek running down from the mountains. In 2019, long before I had ever been there, a man named James Fredette drove his mobile home down the gravel road from the highway and went fishing. It was a lucky day: He caught three big rainbow trout. Then, as the light turned golden and began to fade from the canyon while Fredette packed up his gear, he thought, why not, and walked back down to the creek to try his luck panning for gold. He turned up a few nuggets, right there. Yes, it was a very lucky day.
What gives you a sense of awe? That word, awe—the feeling of being in the presence of something vast that transcends your understanding of the world—is often associated with the extraordinary. You might imagine standing next to a 350-foot-tall tree or on a wide-open plain with a storm approaching, or hearing an electric guitar fill the space of an arena, or holding the tiny finger of a newborn baby.
People, trends, companies, culture—they live, and then they die. They come and go, and when they depart, it’s not by choice. Habituation breeds solace, but too much of that solace flips it into folly. The pillars of life became computational, and then their service providers—Facebook, Twitter, Gmail, iPhone—accrued so much wealth and power that they began to seem permanent, unstoppable, infrastructural, divine. But everything ends. Count on it.
April is the cruellest month because we are stuck. We’ve stopped dead and we’re going rotten. We are living in the demesne of the crippled king, the Fisher King, where everything sickens and nothing adds up, where the imagination is in shreds, where dark fantasies enthrall us, where men and women are estranged from themselves and one another, and where the cyclical itch of springtime—the spasm in the earth; the sizzling bud; even the gentle, germinal rain—only reminds us how very, very far we are from being reborn.
“Time — a few centuries here or there — means very little in the world of poems.” There is something reassuring about Mary Oliver’s words. Especially in an era of rapid change, there is comfort to be had in those things that move slowly. But oceans rise and mountains fall; nothing stays the same. Not even the way poetry is made.
