In the 1980s, Japanese ambient music emerged as a unique genre that combined traditional Japanese sounds with electronic music. This movement was primarily inspired by Brian Eno’s groundbreaking album “Music for Airports”, which had a profound impact on Japan’s burgeoning minimalist music scene.
Write about what you know, they say. All due respect, that’s lousy advice, far too easily misinterpreted as “write about what you already know.” No doubt you find your own knowledge valuable, your own experiences compelling, the plot twists of your own past gripping; so do we all, but the storehouse of a single life seldom equips us adequately for the task of writing.
WHEN A MOVIE becomes a mass culture phenomenon, like Barbie, any negative criticism of it runs the risk of coming off hysterical. Any meanness toward it becomes the mirror version of the reactions of fans who see the movie in the theater again and again, who cry during certain scenes each time, and who tell the world about it on social media with a great sense of pride and purpose, or even with a certain amount of shock about its power over them.
A half-formed thought feels worse than an empty head—the tip-of-the-tongue sensation, the inkling of a there there without the foggiest notion of how to get, well, there. Especially dire is when the “what” that we wish to articulate feels half-formed itself, something observable yet emergent, for which the masses have yet to find language.