A century ago, physics breakthroughs came in rapid sequence. There was quantum mechanics and Einstein’s theories of space and time, lots of new particles, two new nuclear forces, and eventually the standard model of particle physics. This progress and its technological applications commanded respect, if not outright fear.
THIS WEEKEND we saw Anatomie d'une chute (Anatomy of a Fall), Justine Triet's French courtroom drama that actually won the Palme d’Or in Cannes this year. It was though-provoking, gripping at times, and made us talk about it quite a bit, even long after it was over.
omething strange happened the first time I encountered an article online that I wrote for a print magazine. The article was an old-fashioned feature that had taken me months to report, then perhaps six weeks to write, plus another six to eight weeks to edit and rewrite with the help of capable editors, copy editors and fact-checkers who helped give the magazine prose of yesteryear its distinctive glossy finish.
In the darkness, they rose. More than 150 men and women advanced warily through the ice, grasping lines that had been anchored into the mountainside just hours before. Some had waited months for this ascent. They had a small window: Winds had finally calmed on the morning of July 26, giving teams their first chance to summit K2, the King of Mountains, in the Pakistani-administered area of the Kashmir.
An amber-colored glass paperweight sits in my nightstand drawer. It used to belong to my dad, who recently died, and to his grandmother before him. It’s shaped like a cube, with delicate flowers painted on each side, and it’s heavy in my palm. But I rarely pick it up, because I have no papers that need weighing down. The object occupies valuable space that might otherwise be used for a book, tissues, or anything else that I actually use. Still, I keep it, along with a few other pieces of what you might call “sentimental clutter”—personally meaningful yet impractical objects: a box of old birthday cards, a chipped seashell, a loyalty card for a café that no longer exists.