arts & culture

At the Gallery | Mirror, Mirror: Reflective Art by Mathias Kiss, Doug Aitken & more

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At the Gallery | Mirror, Mirror: Reflective Art Mathias Kiss, Doug Aitken & more
Mathias Kiss
At the Gallery | Mirror, Mirror: Reflective Art Mathias Kiss, Doug Aitken & more
Doug Aitken

WE WROTE ABOUT Mathias Kiss' mirrored sculptures and other work (herein 2014, but as the new year is often a time for reflection, we thought we might take this point literally and feature a few of our favourite artistic works rendered in mirror. From Doug Aitken's mirrored words such as 'more' and 'now' to Arran Gregory’s faceted mirrored sculptures of wolves and other animals, Olafur Eliasson's Glacial Expectations, a mirrored ranch house in Palm Springs and more, here is a selection of thought-provoking sculptures and installations to begin the year...

Click on images for sources.



At the Gallery | Mirror, Mirror: Reflective Art Mathias Kiss, Doug Aitken & more

"Mirage," an art installation by Doug Aitken that overlooks Palm Springs, takes the form of a mirrored ranch house.  Photographed by Ashley Cho.

At the Gallery | Mirror, Mirror: Reflective Art Mathias Kiss, Doug Aitken & more
Derek Paul Boyle
At the Gallery | Mirror, Mirror: Reflective Art Mathias Kiss, Doug Aitken & more
Doug Aitken, More (x4), 2012, Mirrored glass and white glass, 128 x 96 x 6 inches
At the Gallery | Mirror, Mirror: Reflective Art Mathias Kiss, Doug Aitken & more
Arran Gregory’s Faceted Mirrored Sculptures: Mirror Wolf Mirror, Fibreglass. 1850 × 1000 × 850mm 2012 // Mirror Rhino Mirror, steel, jesmonite 840 × 640 × 740mm 2011



At the Gallery | Mirror, Mirror: Reflective Art Mathias Kiss, Doug Aitken & more
Ryan Everson Studios: Fear Expanded. 2012. Wood, Mirror. Collaboration with Jason Garcia.
At the Gallery | Mirror, Mirror: Reflective Art Mathias Kiss, Doug Aitken & more
Khao Mo / Mythical Escapism 6.88 x 7.12 x 3.20 metres / Mirror boxes, Soil
City dwellers desire to have time off for rest and relaxation, a moment of escape from everyday life. This is different to the past. Nature has been replicated so that it can be closer to humans. The concept of Chinese gardens is to replicate the universe in the form of a garden in order to create joy and pleasantness. The large stones are clouds in the middle of the garden, as if they represent the paradise of that model garden.
Khao mo (“mo” comes from “t’mo” with roots in the Cambodian language) is a type of Thai art that originated in the Ayutthaya period. The concept behind khao mo is the replication of nature to make it closer to humans, and the belief in the relationship between the height of Sumeru, which is a physical aspect, and the desire to be free of suffering, or the state of contentment, which is an abstraction. The ideas merged and were demonstrated through “khao mo”, which is a symbol of paradise. It is used for enjoyment as well as for ceremonies, especially the royal tonsure shaving ceremony. Those who enter the ceremony, the location of which includes the model of Mount Kailash for bathing within the Grand Palace, must be princes or princesses of the Chao Fa class only.
The new “khao mo” is presented within the original physical framework, but the meaning has been reduced to the beliefs about “khao mo” that have altered as times have changed. Audiences are given time to interact with the work. They have the opportunity to explore and find the hidden treasures on the inside via experiences from symbolic objects. They can journey from the past to the present, from the exalted down to the public. The inside of “khao mo”, which is a sanctuary, actually transpires as emptiness. It is the starting point of not-having and having, which is essentially the root of all things.
The smell of earth, the moisture and vapour that evaporate from the earth, the ordinariness and the emptiness allow the audience time to imagine further. When there is no clarity between right and wrong in the present, the mountain of virtue has a different belief or meaning. Once upon a time, right and wrong had only one truth. What was once black and white is now grey. The world of today has advanced technologically and the changing society has led to more individuality, as well as more self-confidence. But what is the source of that confidence? Where are morality and ethics? What channels does self-confidence have to guide it? This mountain of belief is like the construction of khao mo for the people (Mythical Escapism). The space is designated for the time of the individual. The opening of the space is dedicated to the reflection of one’s personal thoughts and identity via this space of imagination. --Sanitas Studios
At the Gallery | Mirror, Mirror: Reflective Art Mathias Kiss, Doug Aitken & more
Via Pinterest, Artist Unknown



At the Gallery | Mirror, Mirror: Reflective Art Mathias Kiss, Doug Aitken & more
Doug Aitken, MORE (Shattered Pour) (2013), Courtesy of 303 Gallery

‘Your Glacial Expectations’ presents a series of five elliptical mirrors, representative of glacial basins, each one offering a variation on form, but set in horizontal alignment, positioned amongst trees, shrubs and wildlife. A commissioned project by Danish textile manufacturer kvadrat, the installation was conceived by Danish artist Olafur Eliasson in collaboration with landscape architect Günther Vogt. Mirrors generate reflections of the surrounding landscape causing a reversal of perception from what is on the outside and what lies within; what is an untamed wilderness and serene garden expressed in the conceptualization of the landscape. On slight elevations within the site’s broad meadows are small but dense gatherings of trees, delineated in their oval form. --designboom

At the Gallery | Mirror, Mirror: Reflective Art Mathias Kiss, Doug Aitken & more
Olafur Eliasson
At the Gallery | Mirror, Mirror: Reflective Art Mathias Kiss, Doug Aitken & more
Now (#2 diamond) by Doug Aitkin

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