Wherever this story takes you—thoughts on marriage, on food, on work, on the rise and fall of the American century, on your own life and time’s passage through it—I invite you to picture Loukas first.
If you’ve ever walked a city street so late at night that it’s very early in the morning, you may have been greeted by a strange and unbidden thought. In the eerie stillness, it can feel for a moment as though you’re the last person alive.
Black holes are, of course, awesome. But, for scientists, they are more awesome. If a rainbow is marvellous, then understanding how all the colors of the rainbow are present, unified, in ordinary white light—that’s more marvellous.
Imagine a place where you can taste some of the finest wines in the world, enjoy delicious gourmet meals, hike on sea-sprayed oceanfront trails, explore deep ancient caves, surf world class waves, and meet some of the friendliest people anywhere on earth.
Last week in my Articles of Interest, I linked to an article about Bailey Richardson, one of the eleven original employees working for Instagram when they were purchased by Facebook for one billion dollars in 2012. The article discusses how Richardson and a few other original employees have now abandoned the popular social media platform by deleting their profiles, citing as their reasons, a move away from the original ethos of artistry, intimacy, discovery and free expression on the platform, giving way to a celebrity-driven marketplace.
Artificial intelligence seems more powerful than ever, with chatbots like Bard and ChatGPT capable of producing uncannily humanlike text. But for all their talents, these bots still leave researchers wondering: Do such models actually understand what they are saying?
In their iconic song “Bohemian Rhapsody”, Queen asks a question that feels increasingly relevant in our digital age: “Is this the real life? Is this just fantasy?” As we navigate a world where virtual reality and information overload increasingly influence our perception of reality, this question becomes more than just a catchy lyric—it’s a philosophical conundrum at the heart of our modern existence.
One of the stultifying but ultimately true maxims of the analytics movement in sports says that most narratives around player performance are lies. Each player has a “true talent level” based on their abilities, but the actual results are mostly up to variance and luck.
You are currently logged on to the largest version of the internet that has ever existed. By clicking and scrolling, you’re one of the 5 billion–plus people contributing to an unfathomable array of networked information—quintillions of bytes produced each day.
BEFORE THE LOCKDOWN, our Instagram feed was filled with fashion influencers in elaborate magazine-like editorials taken in exotic and far-flung locations. Over the past three months however, due to travel restrictions and stay at home guidance, we began seeing an influx of at-home mirror selfies ...
Close to 5 million people follow Influencers in the Wild. The popular Instagram account makes fun of the work that goes into having a certain other kind of popular Instagram account: A typical post catches a woman (and usually, her butt) posing for photos in public, often surrounded by people but usually operating in total ignorance or disregard of them. In the comments, viewers—aghast at the goofiness and self-obsession on display—like to say that it’s time for a proverbial asteroid to come and deliver the Earth to its proverbial fiery end.
Since the pandemic upended the world, we’ve been getting plenty of mixed signals about cities. We’ve heard both that cities like New York are over and that they’re immensely popular. Are they bastions of disease that people will forever avoid?
Some art forms welcome, even require, collaboration. After all, it is the exceptionally rare film or television show that gets made by a single person. Music, too, often literally demands the assistance of others.
If you attended the 2019 Venice Biennale, you might have waited in a long line to see the prize-winning piece “Sun & Sea (Marina),” an opera performance staged by three Lithuanian artists on a sandy faux beach that had been installed in a warehouse.
I came across a TikTok recently that articulated something about my face I’d been struggling with. It was one of those videos where the speaker sits in the front seat of her car as if she’s been so overcome by an epiphany that she had to pull over and share.














