Tech pundits are fond of using the term “inflection points” to describe those rare moments when new technology wipes the board clean, opening up new threats and opportunities. But one might argue that in the past few years what used to be called out as an inflection point might now just be called “Monday.”
WHEN A MOVIE becomes a mass culture phenomenon, like Barbie, any negative criticism of it runs the risk of coming off hysterical. Any meanness toward it becomes the mirror version of the reactions of fans who see the movie in the theater again and again, who cry during certain scenes each time, and who tell the world about it on social media with a great sense of pride and purpose, or even with a certain amount of shock about its power over them.
