A little more than a year ago, Elon Musk began his reign at Twitter with an elaborately staged pun. On Wednesday, October 26, 2022, he posted a tweet with a video that showed him carrying a sink through the lobby of the company’s San Francisco headquarters. “Entering Twitter HQ—let that sink in!” he wrote.
In 2017, I was trying to write How to Be an Antiracist. Words came onto the page slower than ever. On some days, no words came at all. Clearly, I was in crisis. I don’t believe in writer’s block. When words aren’t flowing onto the page, I know why: I haven’t researched enough, organized the material enough, thought enough to exhume clarity, meticulously outlined my thoughts enough. I haven’t prepared myself to write.
This past December, the physics Nobel Prize was awarded for the experimental confirmation of a quantum phenomenon known for more than 80 years: entanglement. As envisioned by Albert Einstein and his collaborators in 1935, quantum objects can be mysteriously correlated even if they are separated by large distances. But as weird as the phenomenon appears, why is such an old idea still worth the most prestigious prize in physics?
Cheers and mazel tov! We’ve made it halfway through January. Yes, our bodies endured a pounding through the festive frivolities, but through that excruciating cumulative hangover we somehow survived. Our recycling bins have been collected, those bottles of bubbly out of sight and mind. New-year-new-me resolutions can now be abandoned. Anyone fancy a pint?
If you’ve ever emerged from the shower or returned from walking your dog with a clever idea or a solution to a problem you’d been struggling with, it may not be a fluke. Rather than constantly grinding away at a problem or desperately seeking a flash of inspiration, research from the last 15 years suggests that people may be more likely to have creative breakthroughs or epiphanies when they’re doing a habitual task that doesn’t require much thought—an activity in which you’re basically on autopilot.
During one of my more desperate phases as a young novelist, I began to question whether I should actually be writing my own stories. I was deeply uninterested at the time in anything that resembled a plot, but I acknowledged that if I wanted to attain any sort of literary success I would need to tell a story that had a distinct beginning, middle, and end.