In the 1980s, the futurologist Hans Moravec warned that, paradoxically, it would be the actions that are easiest for humans (such as holding a piece of sushi with two chopsticks) that would pose the greatest difficulties for robots and computers.
It’s common to meet the idea of intuition with an eye roll. We tend to value reason over everything else, using expressions like “think before you act,” “think twice,” and “look before you leap.” We don’t trust intuition. In fact, we believe it’s flawed and magical thinking, either vaguely crazy or downright stupid. After all, good decisions should always be reasoned.
I am standing on the sand at Scheveningen, The Hague’s most famous beach resort, in the act of niksen, the Dutch term for doing absolutely nothing. I try not to think about whether I am really doing nothing if I am standing on a beach. Maybe I should be sitting down? But then I would be sitting down.
How will Facebook celebrate its 20th birthday? Perhaps it will create one of those cute video montages they like to generate at significant moments. Starting with a tinkling piano soundtrack, a couple of breathless friend requests, and some self-conscious, tentative writing of “hello!” on other users’ walls, it might then pass quickly through moments of chronic oversharing, passive-aggressive, stalking of exes, and horrified untagging of yourself in unflattering photos.
IBM is one of the oldest technology companies in the world, with a raft of innovations to its credit, including mainframe computing, computer-programming languages, and AI-powered tools. But ask an ordinary person under the age of 40 what exactly IBM does (or did), and the responses will be vague at best.
SIX OR SEVEN years ago, I realized I should learn about artificial intelligence. I’m a journalist, but in my spare time I’d been writing a speculative novel set in a world ruled by a corporate, AI-run government. The problem was, I didn’t really understand what a system like that would look like.
WHEN A MOVIE becomes a mass culture phenomenon, like Barbie, any negative criticism of it runs the risk of coming off hysterical. Any meanness toward it becomes the mirror version of the reactions of fans who see the movie in the theater again and again, who cry during certain scenes each time, and who tell the world about it on social media with a great sense of pride and purpose, or even with a certain amount of shock about its power over them.