The Weeknd has unveiled a new remix of his After Hours track, “In Your Eyes,” which features Doja Cat. The singer, aka Abel Tesfaye, released the cut at midnight on Wednesday. Despite the song’s buoyant, synth-tipped melodies, the lyrics hint at the doubts and fears that can transpire when expressing vulnerable feelings within a relationship
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As countries around the world are tentatively contemplating or are gradually in the process of loosening restrictions in place for the pandemic many people are naturally wondering what the new normal will mean for jobs, travel, socializing and recreation ...
Following up from his recent Rihanna-approved Skepta collab, “Papi Chulo”, Essie Gang’s Octavian has made his latest step towards his eagerly-anticipated debut album with a new summer-ready spin in “Poison”, featuring Santi, Obongjayar, and Take A Daytrip.
La Roux (aka Elly Jackson) had teased the remix earlier in the week, sharing a video depicting silhouettes of herself and the rapper.
Solitude has become a topic of fascination in modern Western societies because we believe it is a lost art – often craved, yet so seldom found. It might seem as if we ought to walk away from society completely to find peaceful moments for ourselves.
French artist Oklou debuts her new single, “SGSY.” The track’s name stems from the main hook “she’s gonna slaughter you” and there’s an overwhelming feeling she means it. Signaling toward an ultimate breakup song or supporting a friend through a tough relationship, the track’s message is climactic and haunting with its soft-spoken delivery.
Major Lazer have shared a new remix of the Weeknd’s After Hours single “Blinding Lights.” It follows Chromatics’ remix of the track. Hear the new song below.
On Easter Sunday, while on her afternoon stroll, the Irish novelist Denise Deegan realized she still had not yet called her mother. “Hello,” she said cheerily into her phone. “Hello,” a man on the street replied.
Looking at the man’s face, she realized the voice belonged to the actor Matt Damon.
It was raining in London on the evening of March 5th, and so only a small crowd had gathered outside Mansion House, the official residence of the Lord Mayor of London, to watch the Duke and Duchess of Sussex arrive for an awards ceremony hosted by the Endeavour Fund, a charity that supports wounded ex-servicemen and women.
Right now, a lot of people are covering other people’s songs. They’re sitting home on quarantine, they’re messing around with acoustic guitars, and they’re staring soulfully into their webcams, sharing their own versions of their favorite tunes.
Things are rarely easy for the actor who choses to dabble in pop. For every Donald Glover, apparently able to flit at will between the film set and the recording studio, pausing only to bask in the superlatives that garland both sides of his work, there are umpteen Russell Crowes or Johnny Depps, their dreams of polymath stardom crushed by a reception that ranges from suspicion to bemusement to outright hostility.
If you ask a scientist a question about the philosophy of science, there’s a good chance the answer will feature just one or two philosophers. The name of the Austrian-born British philosopher Karl Popper (1902-94) will likely arise in the context of his principle of falsifiability, the ‘demarcation criterion’ that many scientists still use to distinguish science from non-science.
Even if you haven’t been following the news particularly closely the past couple of years, it probably won’t have escaped you that a certain word has been getting a lot of attention: truth.
If you’ve been listening to The Weeknd’s long-awaited fourth studio album, After Hours, you should know there’s more heartbreak where that came from. A little over a week after releasing the enigmatic collection of breakup songs — presumed to be predominantly about his ex-girlfriend Bella Hadid — the singer surprised listeners on March 29 with three new bonus tracks: “Nothing Compares,” “Missed You,” and “Final Lullaby.”
The deserted streets will fill again, and we will leave our screen-lit burrows blinking with relief. But the world will be different from how we imagined it in what we thought were normal times. This is not a temporary rupture in an otherwise stable equilibrium: the crisis through which we are living is a turning point in history.
