Joined28 March 2014
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His relationship with social media is a striking manifestation of the worries expressed by the French philosopher Guy Debord, in his classic work The Society of the Spectacle (1967). Social life is shifting from ‘having to appearing – all “having” must now derive its immediate prestige and its ultimate purpose from appearances,’ he claims. ‘At the same time all individual reality has become social.’
First, let’s survey the situation. It’s as though the haze of our inner lives were being filtered through a screen of therapy work sheets. If we are especially online, or roaming the worlds of friendship, wellness, activism, or romance, we must consider when we are centering ourselves or setting boundaries, sitting with our discomfort or being present.
AFTER JUST TWO months on Clubhouse, I finally understand how Theranos happened. While articles, books, and films have covered the saga in excellent detail, some of my curiosity lingered: How could we be bamboozled by bullshit of that size and scope? I am curious no longer. After surfing hundreds of rooms on the popular new social media app, I’ve been exposed to dozens of clones of Theranos and Elizabeth Holmes, some of them running companies that have (allegedly) raised tens or millions of dollars.
With performances racked up beside Grimes, The xx and Battles, GIUNGLA’s (aka Ema Drei) propulsive modus operandi sports an all-encompassing gloss. It’s bolstered on her recent singles by the production acumen of Luke Smith, known for his work with Foals and Depeche Mode, amongst others.
The Elle magazine article was a shocker. It went live a few days before Christmas and told a story of a journalist who lost her husband and her job because she fell in love with her source, who happened to be one of the most hated men on the planet, “Pharma Bro” Martin Shkreli. Why had Bloomberg News reporter Christie Smythe tossed away her “perfect little Brooklyn life” to pursue a seemingly doomed love affair with a sneering criminal known for jacking up medicine prices by 5,000 percent?
Tolstoy was a moralist. He wrote one novel—Anna Karenina—in which infidelity ends in death, and another—War and Peace—in which his characters endure a thousand pages of political, military and romantic turmoil so as to eventually earn the reward of domestic marital bliss. In the epilogue to War and Peace we encounter his protagonist Natasha, unrecognizably transformed.
Oneohtrix Point Never, a.k.a. Daniel Lopatin, has released a fantastical new video for “Long Road Home.” The single appears on his upcoming album Magic Oneohtrix Point Never, out October 30th via Warp. Co-directed by Charlie Fox and Emily Schubert, the clip features a courtship between two demonic creatures who become one in the end — an homage to Georges Schwizgebel‘s 1982 short Le Ravissement de Frank N. Stein.
Throughout the eighties and nineties, even as he helped with the HeartMate and AbioCor, Frazier argued that engineers should shift from pulsatile pump designs to ones based on the more mechanically straightforward principle of “continuous flow”—the strategy that Bivacor later adopted. Some researchers argued that the circulatory system might benefit from the pulse; there’s evidence that blood-vessel walls expand in response to a quickening beat ...
In computer science, the main outlets for peer-reviewed research are not journals but conferences, where accepted papers are presented in the form of talks or posters. In June, 2019, at a large artificial-intelligence conference in Long Beach, California, called Computer Vision and Pattern Recognition, I stopped to look at a poster for a project called Speech2Face.
Shygirl’s “Alias” is less than twenty minutes long, yet it’s weighty with the jolting hyperpop and club music that the London electronic artist has been making for the past few years. Each song is meant to show off a different side of her personality, a tactic that frees her up to play with a frenzied palette of sounds: “SLIME,” co-produced by the like-minded Scottish experimentalist ...
When she’s not busy writing songs for the biggest stars in pop, Julia Michaels sometimes releases music of her own. Her work has been impressing us for a while now, and today’s new single “Lie Like This” is especially appealing.