The first couple minutes of Quincy—the 2018 documentary about Quincy Jones, co-directed by his daughter Rashida—are really a quite striking prologue. The shots are simple enough: There’s the obligatory survey of so many record plaques and iconic portraits posted on so many walls of Quincy’s mansion in Bel-Air.
Before the gig economy consumed a third of the workforce, it was mostly musicians who worried about gigs. There are debates about the origins of the word—some believe it derives from an eighteenth-century term for horse-drawn carriages that may have doubled as stages for performers, while others contend that it was adapted from a Baroque dance called the gigue
