I CAN’T remember the last time I was excited for a runway collection. Perhaps it was the pandemic, with its cancelled shows and digital presentations, that dampened my enthusiasm for fashion. But the Carven Spring 2024 Ready-to-Wear collection, by British designer Louise Trotter, has changed that.
CONTINUING WITH our series that we began last week about the things we like lately and this week, we're looking at the Isabel Marant Spring 2022 Ready-to-Wear runway show; a new hotel opening in Paris this month; Virginie Viard's Chanel Spring 2022 presentation; a bright and spacious Haussmanian apartment by Festen; beautiful minimalist knits, and the elegant work of Studio Ko. Of course, the Caucasus mountains in Russia (above) in full bloom by Daniel Kordan is on the list as well ...
We first wrote about Christo and Jeanne-Claude in January, when Sotheby's announced the sale of some of the artists' work. Bulgarian Christo Vladimirov Javacheff and Morrocan Jeanne-Claude Denat de Guillebon met in Paris in 1958. In 1961, three years after they met in Paris, Christo and Jeanne-Claude began imagining and creating temporary works of art in public spaces. They would marry in 1962 and become one of the world's most famous artistic collaborations ...
IT FELT STRANGE and wonderful to see fashion filling our social media feeds once again, after so much time away. Some shows were projected to our screens in the form of live video streams, some were artistic films, while others still were small live shows in front of Parisian audiences for the first time in ages. Fashion always makes us dream, which is a lovely thing during these uncertain times, and dream we did. Here are a few of our favourite settings, thoughts, and looks from the Fall 2021 haute couture season ...
Paris Women’s Spring 2021 ended on a rainy Tuesday (the 6th of October) after 8 days filled with digital and (still) physical shows. There wasn’t the same business and the same euphoria on the streets, but there was still hard work and creativity shared on the runways.
Instead of delaying or cancelling their show because of the health crisis, the House of Chanel, headed by Virginie Viard, revealed their Cruise 2021 Collection this past Monday on digital platforms. The fashion house's first ever digital show, Balade en Méditerranée / A Mediterranean Jaunt, brought Capri to Paris. The collection was originally intended to be shown on Capri, but was recreated in Chanel’s Paris photo studio instead.
FOR THE SECOND YEAR in a row, Giambattista Valli did not stage an haute couture show, opting instead for an exhibition of his spring collection, open to the public. “Sometimes the fashion world is too exclusive and sometimes it’s nice to be inclusive,” the designer told Vogue. An open presentation was held at the National Gallery de Jeux Pom in Paris.
DANIELA wrote about Virginie Viard's appointment at Chanel in early March (The Woman Behind Chanel: Virginie Viard) and since then, we've been waiting to see the new creative director's debut. That moment has finally arrived, in Paris at the Grand Palais, which was turned into a train station.
We may know little about Karl Lagerfeld’s successor, but Virginie Viard definitely knows everything about Chanel and its values. The new creative director hates being in the spotlight she used to say, but she will be for a while now since her new role marks the first time a female designer is taking the helm of the brand since Gabrielle Chanel herself.
PARIS - Karl Lagerfeld passed away on the morning of Tuesday, February 19, 2019. He was 85. The extraordinary life of the designer, photographer and creative director is widely known. Here are a few highlights in this compilation of photos, moments, and quotations in memoriam of the late great design icon.
New York Fashion Week came and went with little fanfare. This time around, there seemed to be a lack of enthusiasm for the affair. Vanessa Friedman, the Fashion Director and Chief Fashion Critic for The New York Times expressed a similar sentiment in the article, “Marc Jacobs and the Ghosts of Fashion Past and Future.” The article suggests a somber tone during fashion week. Friedman points out that it seemed to suffer from an identity crisis partially as a result from the loss of influence that New York designers once had over the fashion world.