The school year has ended and with it its practice schedules and playoffs, but most sports can be year-round if you want them to be, and now the summer leagues begin, along with the clinics and the development camps.
When Imre Kertész won the Nobel Prize in Literature, in 2002, I was twenty-two and deep in one of those unfortunate periods during which a young writer wants to be serious but doesn’t quite know what that means.
Humans are compelled to review. The five-star and 10-point rating systems just make implicit sense to us, each number having its own gravity and texture that can be transposed on to a gut-feeling or opinion.
Here is a very dumb truth: for a decade, the default answer to nearly every problem in mass media communication involved Twitter. Breaking news? Twitter. Live sports commentary? Twitter. Politics? Twitter. A celebrity has behaved badly? Twitter. A celebrity has issued a Notes app apology for bad behavior? Twitter. For a good while, the most reliable way to find out what a loud noise in New York City was involved asking Twitter. Was there an earthquake in San Francisco? Twitter. Is some website down? Twitter.
I was probably in college when I first learned that movies could commandeer my desires in a manner hostile to my flourishing as a woman. My favorite film at the time was “Sin City,” a 2005 neo-noir adapted from Frank Miller’s graphic-novel series of the same name.
In 1966, an MIT professor named Joseph Weizenbaum created the first chatbot. He cast it in the role of a psychotherapist. A user would type a message on an electric typewriter connected to a mainframe. After a moment, the “psychotherapist” would reply.
