"I WANTED TO CAPTURE that happy, elated feeling of self-expression," said Emilia Wickstead backstage after her spring/summer show, staged at a London Art Deco location that few people knew about. The Harlem Renaissance was the inspiration, and while it could have been reflected with more diversity on the runway, it was certainly in evidence in the clothes. There were wide sunhats tied at the chin, calling to mind those worn in the fields, paired with demure silhouettes and dropped hemlines. There were plays on transparency, perhaps what a modern It girl would like to see more of, especially when paired with some 'mom' jeans and white t-strap heels. There was a pink drop-waisted dress with an alluring cut-out at the chest. And then, of course, the sequinned gowns in rose gold that seemed to be emitting light, drawing smiles on showgoers' faces. Who doesn't love some glamour, especially amidst all the turmoil happening in the world?
HIGH UP ON THE SANTA MONICA MOUNTAINS IN LA, large tents were set-up, and a bonfire burnt as two hot air balloons branded Sauvage settled in the sunset. An unlikely location for a Christian Dior show, but a reasoned one. Mr. Christian Dior, after all, visited Los Angeles in 1947, while today, the house has formed relationships with many Hollywood stars, who appear frequently on the red carpet costumed in Chiuri’s signature taffeta gowns.
NUEVOS TERRITORIOS, or new territories, is the title of this editorial cover shoot for Spanish Vogue. Model Andreea Diaconu is shown in a ranch in the South American countryside amongst wild horses and vast grasslands, redefining the rough gaucho style in sophistication. There were intricately woven ponchos, knits and loosely tied silk scarves, and a dreamy tiered point d’esprit and tulle Valentino minidress that looks as comfortable in untamed nature as it would at a chic Parisian soirée.