It is astonishing, but painting desperately needs her defenders and explainers. This most primal of arts, which goes back to the very beginning of the human story, seems to confuse and repel much of contemporary civilisation. Like bad-omen comets, proclamations still come of the death of painting.
On the morning of June 24, 1993, Yale University Professor David Gelernter arrived at his office on the fifth floor of the computer science department. He had just returned from vacation and was carrying a large stack of unopened mail.
For about five minutes a few months ago, people seemed to genuinely believe that our culture was entering the age of “deinfluencing.” “Step aside, influencers,” wrote CNN.
“They were the new Charles and Diana, in some ways,” Gary Neville, the former Manchester United player, says in the first episode of “Beckham,” a new, four-part documentary on Netflix. They, of course, are David Beckham, Neville’s friend and onetime teammate, and Beckham’s then girlfriend, Victoria Adams, a.k.a. Posh Spice.
There’s a three-story, three-bedroom town house at 514 Broome Street in Manhattan with an expansive ivy-laden terrace. Entry is through a dining room swathed in exposed brick. A dramatic wooden staircase services the second floor. Venture to the basement and you’ll find a wine cellar big enough for 2,500 bottles.
