Write about what you know, they say. All due respect, that’s lousy advice, far too easily misinterpreted as “write about what you already know.” No doubt you find your own knowledge valuable, your own experiences compelling, the plot twists of your own past gripping; so do we all, but the storehouse of a single life seldom equips us adequately for the task of writing.
Some of my earliest memories are of summers with my grandparents, in New Delhi. I spent long, scorching months drinking lassi, playing cricket, and helping my grandparents find ripe mangoes at roadside markets.
The art of storytelling is the art of simplification—of giving smooth contours and sharp points to messily loose-ended incidents. That’s why, when artists tell their life stories, the plethora of factual details is secondary to the emotions, the ideas, the insights, and the sublime style that distinguish their art.
In November, 1977, on a still-sticky evening along Louisiana’s Gulf Coast, the Austrian economist and philosopher Friedrich Hayek boarded a flight bound for Chile and settled into his seat in first class. He was headed to the Valparaíso Business School, where he was scheduled to receive an honorary degree.
New York. A person can spend weeks in this port city without ever seeing the ocean. Skyscrapers. Central Park, with its sprawling lawns, trees, paths, vendors, a boathouse and restaurant: an urban refuge.
