Perhaps it is warm wood in white interiors and gilded chandeliers, or the tan leather of a convertible with the top down on a breezy afternoon; a sun-dappled corner of a favourite café or the warm woven wicker of a basket bag set off by the billowy white ruffles of a silk dress.
I wanted to add to my sculptures these antique chandeliers to make them more exclusive and special, both for the brass components value and for the difficulty of the sculpture process that must be entirely done by hand around the piece of the chandelier. To make the composition even more magical I left the electric cable as if it were torn, as if the animal had broken the piece recently, but the light is still on.