Kindness and niceness, though both excellent personal qualities, are not the same thing. The former is to be good to others; the latter is about being pleasant. They don’t even have to go together. Some say, for example, that New Yorkers are kind but not nice (“Your tire is flat, you moron—hand me your jack”), in contrast to Californians, who are nice but not kind (“Looks like you’ve got a flat tire there—have a good day!”).
IT STARTS WITH a familiar intro, unmistakably the Weeknd’s 2017 hit “Die for You.” But as the first verse of the song begins, a different vocalist is heard: Michael Jackson. Or, at least, a machine simulation of the late pop star’s voice.
The New York Times recently played host to a trilogy of articles, delving into the shifting landscape of work in the digital age. These thought-provoking pieces shed light on myriad challenges that arise as we navigate the evolving nature of work in the modern world, and underscore the pressing need to prioritise the well-being of workers as we forge ahead into the future.
It is a humbling experience to try to learn any new skill as an adult. But there is a particular humiliation in learning to ride a bike. Not only because biking is something everyone already assumes you know how to do and the quintessential skill you never forget. But also because you have to do it in public, wobbling and teetering under the curious gaze of other adults who seem to be fully in control of their balance, pace, and place in the world.
One of the stultifying but ultimately true maxims of the analytics movement in sports says that most narratives around player performance are lies. Each player has a “true talent level” based on their abilities, but the actual results are mostly up to variance and luck.
In 2017, I was trying to write How to Be an Antiracist. Words came onto the page slower than ever. On some days, no words came at all. Clearly, I was in crisis. I don’t believe in writer’s block. When words aren’t flowing onto the page, I know why: I haven’t researched enough, organized the material enough, thought enough to exhume clarity, meticulously outlined my thoughts enough. I haven’t prepared myself to write.
In last week’s Sunday Best, we looked at the New York Times article that explored the trend of Americans seeking out the “good life” in Europe, drawn to the continent’s vibrant culture, rich history, and beautiful landscapes. The NYT’s piece highlights affordable property rental and ownership opportunities in countries like Italy, France, and Spain.
For residents of southeast Paris, the construction vehicles rumbling back and forth behind the Austerlitz train station are a loud annoyance that has gone on for too many months. But for city officials—and countless Parisians, they hope—history is unfolding behind the cordoned-off area. After years of thwarted ambitions and vague promises, the French capital, officials say, is set to accomplish a rare feat for a major metropolis: making its once heavily polluted waterway fit for swimming again.
It was when I was researching a story on that I realized there truly was no escape from the influencer industry. If business bros with corporate jobs in tech and finance — stable, high-paying careers with cushy benefits! — felt the need to supplement their status (and possibly their income) by becoming influencers, what hope was there for the rest of us?
Last week, both Microsoft and Google gave demos of their new artificial intelligence–powered search assistants. Microsoft’s Bing Chat sits inside its Bing search engine and Edge web browser, while Google’s Bard chatbot will do its thing on the same page where Google’s standard search results appear.
IT’S BEEN HAILED as a cultural phenomenon and at the moment, it’s all anyone can talk about. It’s ChatGPT, the language model created by OpenAI, a San Francisco-based artificial-intelligence company. We touched on the subject briefly before, but will take a more in-depth look today at the fastest-growing internet service ever (it reached 100 million users in January, just two months after its launch at the end of November 2022).
… And so on, until the 36th person types “Good morning,” and the work day can begin. It’s nine in the morning, and Alexia D., a graphic designer, types the final “Good morning.” No one dares skip the greeting. Not Alexia, not anyone. If she does, the team leader will log her as absent, even if 10 minutes later she is on the screen with her work completed and a smile on her face, ready to review project updates.
ChatGPT, the internet-famous AI text generator, has taken on a new form. Once a website you could visit, it is now a service that you can integrate into software of all kinds, from spreadsheet programs to delivery apps to magazine websites such as this one. Snapchat added ChatGPT to its chat service (it suggested that users might type “Can you write me a haiku about my cheese-obsessed friend Lukas?”), and Instacart plans to add a recipe robot. Many more will follow.
The buzz around ChatGPT is hitting a critical mass⏤a collective frenzy, even, and there are equal amounts of hype and skepticism. In the Wall Street Journal, Henry Kissinger, Eric Schmidt, and Daniel Huttenlocher stated in ChatGPT Heralds an Intellectual Revolution that, “A new technology bids to transform the human cognitive process as it has not been shaken up since the invention of printing.”
Steven Soderbergh is the rare filmmaker who views a sequel as a chance to do something different. In a moviemaking era suffused with safe and predictable follow-ups, Soderbergh’s Ocean’s Twelve remains a sterling example of a strange, surprising left turn from its predecessor’s formula.
