The incantation that begins Octo Octa’s “I Need You,” 30 seconds of euphoric moaning, could introduce any number of songs. A post-yoga chant could develop with layers of blissed-out voices and the hum of a harmonium. A ’90s house sound might emerge, with a diva calling the shots over groovy drums.
Here’s something weird! Billie Eilish is a 17-year-old pop singer with weirdo aspirations and with a massive online fanbase. Roma, on the other hand, is a slow, lyrical, beautiful Mexican art film about the life of a domestic worker who lives with a relatively wealthy family in Mexico City in 1970 and 1971.
So his debut, X100PRE, at first seems like an odd concession to the old-school from an artist who made old-school look thoroughly obsolete — if singles are enough to get you into the studio with Drake, why bother with a full-length?
We’ve covered Luboku before, back last year when he was releasing his moody single The Surface. Now, he’s well and truly one to keep an eye on in 2018, with the Melbourne musician following it up with something a bit more colourful and vibrant in Without You.
Usually, Gabe Gurnsey is fifty percent of acclaimed techno outfit Factory Floor which is mostly known for its pumping and eclectic way of designing efficient dance music. It’s probably no surprise that Gurnsey would sooner or later get interested in exploring different structures.
The world needs to get ready for Little Simz. The British MC continues her rollout of edgy singles with her latest entitled “Boss.” Following in the footsteps of her previous release “Offence,” which was her first since her last album in 2016, “Boss” not only continues a new musical aesthetic with live instruments, but it also shows her with a more fiery attitude as she forges new musical ground.
Tirzah is never not a breath of fresh air, from her casual delivery to the mellow rasp of her tone. This week, the Essex singer announced her debut album, Devotion, which she made in collaboration with her longtime friend, the composer Mica Levi (aka Micachu).