Since the 1950s, discussions about AI have largely revolved around a big, tantalizing question: What can machines do, and where might they hit a wall? Will they ever truly think, understand, or maybe even become conscious? Could they reach the so-called “heights of human intelligence”?
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Why do rocks fall? Before Isaac Newton introduced his revolutionary law of gravity in 1687, many natural scientists and philosophers thought that rocks fell because falling was an essential part of their nature.
On a languid, damp July morning, I meet weed scientist Aaron Hager outside the old Agronomy Seed House at the University of Illinois’ South Farm. In the distance are round barns built in the early 1900s, designed to withstand Midwestern windstorms.
It isn’t every day that psychologists identify a hot new character archetype. Human design doesn’t usually generate media stories about “the most-talked-about personality trait for autumn/winter”. And yet, something close to this is unfolding with the current fascination with so-called “dark empaths”.
The first couple minutes of Quincy—the 2018 documentary about Quincy Jones, co-directed by his daughter Rashida—are really a quite striking prologue. The shots are simple enough: There’s the obligatory survey of so many record plaques and iconic portraits posted on so many walls of Quincy’s mansion in Bel-Air.
We live in a time of large-scale democratic reckoning, coupled with crumbling trust in public institutions and their elite functionaries. More people will cast electoral votes in 2024 and 2025 than at any other moment in human history...
Before the gig economy consumed a third of the workforce, it was mostly musicians who worried about gigs. There are debates about the origins of the word—some believe it derives from an eighteenth-century term for horse-drawn carriages that may have doubled as stages for performers, while others contend that it was adapted from a Baroque dance called the gigue
In the 2010s, affiliate marketing became a dominant strain of online business models. The Wirecutter, which sold to the Times in 2016, made money by driving its visitors to retail Web sites like Amazon or Best Buy, taking a small cut from any purchase of items it recommended.
Computers don’t actually do anything. They don’t write, or play; they don’t even compute. Which doesn’t mean we can’t play with computers, or use them to invent, or make, or problem-solve.
As an obsessed amateur photographer, I spend too much time reading photography forums on the Internet. Not long ago, I came across a particularly plaintive discussion. “Let’s say, hypothetically, I’d like my future great, great grandchildren (and their offspring) to see some of my photos,” someone wrote.
“Apple computer used to be famous for the fact that you wouldn’t even need a manual. You could just pick up the telephone or plug in the computer and in seconds, you could use it and learn. It was self-explanatory”...
Equally remarkable, this timescale will also be pivotal to answering a different set of questions about life and our planet. After so many generations as mere passengers on Earth, humanity has now fundamentally altered the world and its function.
In 1990, a young Japanese photographer named Kyoichi Tsuzuki began capturing a rarely seen view of domestic life in one of the world’s most densely populated cities. Over three years, he visited hundreds of Tokyo apartments, photographing the living spaces of friends, acquaintances and strangers.
It is astonishing, but painting desperately needs her defenders and explainers. This most primal of arts, which goes back to the very beginning of the human story, seems to confuse and repel much of contemporary civilisation. Like bad-omen comets, proclamations still come of the death of painting.
