The art of storytelling is the art of simplification—of giving smooth contours and sharp points to messily loose-ended incidents. That’s why, when artists tell their life stories, the plethora of factual details is secondary to the emotions, the ideas, the insights, and the sublime style that distinguish their art.
Paris, that most presentable of capitals, is being polished before it hosts the Summer Games. Around the Champs-Élysées, where some of the benches date to the 1850s, the seats are getting a new layer of paint before an estimated 15 million visitors arrive to scuff them up again.
The myth of The Writer looms large in our cultural consciousness. When most readers picture an author, they imagine an astigmatic, scholarly type who wakes at the crack of dawn in a monastic, book-filled, shockingly affordable house surrounded by nature.
Time is not to be trusted. This should come as news to no one. Yet recent times have left people feeling betrayed that the reliable metronome laying down the beat of their lives has, in a word, gone bonkers. Time sulked and slipped away, or slogged to a stop, rushing ahead or hanging back unaccountably; it no longer came in tidy lumps clearly clustered in well-defined categories: past, present, future.