I am used to feeling worthy only when I am productive, when I work a lot, and for as long I can remember, since I changed my country for the first time, all I knew was work. I love working, have never said no to job calls, and I always measured my self-worth with the amount of work I am getting done. But for a while now things have been different; after living through the first year of a pandemic, there has been a carousel of emotions and states of mind, and the work side of things has definitely not been the same ...
Former Chanel model and fashion icon, Betty Catroux, was a muse to Yves Saint Laurent since 1967: “It was love at first sight—physically, I was androgynous, asexual, and it definitely affected him. Our resemblance was not only physical: we were alike morally, mentally. And what was so amazing about him is that he felt that I could be his soulmate—a kindred spirit” she once told Vogue Italia.
Seeing people dressed in trench coats on the streets inspires me, maybe more than other pieces of clothing, for my brain somehow always associates the silhouette with cinema scenes. There are a few great movies that showcase the classic trench and I’d like to share a few of my favourites.
If you've ever wondered what the Paris office of Simon Porte Jacquemus's fashion label, Jacquemus, looks like, you'll be happy to hear that the 31-year-old designer shared a glimpse on the brand's Instgram page @jacquemas recently. It's as playful as you would expect, with ultra-modern furnishings and wonderful outdoor spaces to work. Scroll through for a glimpse...
The first movie I saw Anouk Aimée in was A Man and a Woman (Un homme et une femme, 1996) written and directed by Claude Lelouch and was moved by her beauty, that is both sophisticated and mysterious in some way. Some of her other unforgettable movie roles were as Maddalena in La Dolce Vita (1960) and Luisa Anselmi in 8 1/2 (1963), both by Frederico Fellini. I also loved her as Anne in André Delvaux’s Un soir, un train (One Night... a Train, 1968), and as Barbara Spaggiari in Bernardo Bertolucci’s Tragedy of a Ridiculous Man (1981).
The past few days I’ve been enjoying a slower rhythm of life: some time with friends and the empty and rainy streets of Paris. I’ve also been particularly enjoying American author, Fran Lebowitz, in the series Pretend It's a City, biographical documentary created in collaboration with filmmaker Martin Scorsese. The series captivates―not only with her wit and way with words―but with the bond between her and Scorsese, talking and laughing together on the streets of New York. And I’ve also become very fond of her style and endlessly inspired by it, especially by her choice of her blazers.
The end of this year is finding me between two moods: on one side I don’t feel the urge to do something different and on the other, I would get ready at the last minute to go somewhere, anywhere for a party. But as this year demands social distancing, realistically, I am not going to pull any last-minute styling tricks.
EVEN AS WE SPEAK, there is talk here in the UK, that the three families from the same social bubble that are allowed to mix over what has become known as the five days of Christmas, is too risky.
IT TOOK THREE separate home deliveries of puffy winter coats to finally find the right one and it was of course, the warmest one I could find, for it looks like it might be a very long cold winter. The final selection, was not, however, a quilted one, as the quilted one I really liked was forever out of stock ...
LIKE THE SWEATER VEST (or grandpa trend), the last Mini Trend we featured, the knit or sweater dress is perfect for autumn days. Whether with a crew neck or roll neck, worn belted or loose, it's simple and chic and cosy all at once. Here are a few of our favourites...
Walking around the glamorous and chic corners of Bon Marché, I came across two mannequins styled with knitted sweater vests, while salesperson was dressing, at the exact moment that I was passing by, another mannequin with a cream knitted vest over a striped shirt.