I CAN’T remember the last time I was excited for a runway collection. Perhaps it was the pandemic, with its cancelled shows and digital presentations, that dampened my enthusiasm for fashion. But the Carven Spring 2024 Ready-to-Wear collection, by British designer Louise Trotter, has changed that.
Nilay Patel, the editor-in-chief of the digital technology publication The Verge, has lately taken to describing theverge.com as “the last Web site on earth.” It’s kind of a joke—there are, of course, tons of Web sites still in existence, including the likes of Facebook.com—but also kind of not a joke.
WE ALL KNOW the iconic opening scene of the 1963 film Charade: Audrey Hepburn looking devastatingly chic in a chocolate brown Givenchy coat and oversized sunglasses, sipping coffee on a sunny terrace in the French ski resort of Megève.
EARLY AUTUMN is one of those tricky times when the weather is still quite unpredictable. Early autumn in England is a time of transition, as the weather shifts from warm summer days to cooler, wetter conditions. This changeover period is notoriously difficult to predict, as weather systems become more variable—one day may be mild and sunny...
SIX OR SEVEN years ago, I realized I should learn about artificial intelligence. I’m a journalist, but in my spare time I’d been writing a speculative novel set in a world ruled by a corporate, AI-run government. The problem was, I didn’t really understand what a system like that would look like.
I believe in fully immersing myself in places when I live there. When we lived in Edinburgh, I embraced warm pubs on rainy days and long walks in the New Town.
A half-formed thought feels worse than an empty head—the tip-of-the-tongue sensation, the inkling of a there there without the foggiest notion of how to get, well, there. Especially dire is when the “what” that we wish to articulate feels half-formed itself, something observable yet emergent, for which the masses have yet to find language.