Joined3 January 2023
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Former Chanel model and fashion icon, Betty Catroux, was a muse to Yves Saint Laurent since 1967: “It was love at first sight—physically, I was androgynous, asexual, and it definitely affected him. Our resemblance was not only physical: we were alike morally, mentally. And what was so amazing about him is that he felt that I could be his soulmate—a kindred spirit” she once told Vogue Italia.
I am a slow reader—not because I don’t like to read, but because often the language level or the vocabulary in the book is higher than the level I am currently at. Right now I am reading several books in different languages and I love them all, but wanted to share with you the one I love the most: Breaking the Habit of Being Yourself: How To Lose Your Mind And Create A New One by Dr. Joe Dispenza, published in March 2012.
Winter is challenging, both psychologically and physically. There are endless days of rain and freezing cold. I personally feel a lack of sun and light, and fresh air, since we are followed everywhere these days by the mask rule ...
There are no big trends this season, with the exception of slingback pumps from Prada, everything orange, and lots cable-knit sets. For the first time in a long time, I can say that this is the season where styling comes before the trends. There is less attention on what you buy, but what you do with the pieces you buy or already have.
I am used to feeling worthy only when I am productive, when I work a lot, and for as long I can remember, since I changed my country for the first time, all I knew was work. I love working, have never said no to job calls, and I always measured my self-worth with the amount of work I am getting done. But for a while now things have been different; after living through the first year of a pandemic, there has been a carousel of emotions and states of mind, and the work side of things has definitely not been the same ...
Seeing people dressed in trench coats on the streets inspires me, maybe more than other pieces of clothing, for my brain somehow always associates the silhouette with cinema scenes. There are a few great movies that showcase the classic trench and I’d like to share a few of my favourites.
The first movie I saw Anouk Aimée in was A Man and a Woman (Un homme et une femme, 1996) written and directed by Claude Lelouch and was moved by her beauty, that is both sophisticated and mysterious in some way. Some of her other unforgettable movie roles were as Maddalena in La Dolce Vita (1960) and Luisa Anselmi in 8 1/2 (1963), both by Frederico Fellini. I also loved her as Anne in André Delvaux’s Un soir, un train (One Night... a Train, 1968), and as Barbara Spaggiari in Bernardo Bertolucci’s Tragedy of a Ridiculous Man (1981).
In the midst of a new curfew time and talk of a new lockdown here in France, inspiration is more and more lointaine. Besides books and movies there is not much else to take the mind off the melancholy that comes with the season and this endless wintery month.
The past few days I’ve been enjoying a slower rhythm of life: some time with friends and the empty and rainy streets of Paris. I’ve also been particularly enjoying American author, Fran Lebowitz, in the series Pretend It's a City, biographical documentary created in collaboration with filmmaker Martin Scorsese. The series captivates―not only with her wit and way with words―but with the bond between her and Scorsese, talking and laughing together on the streets of New York. And I’ve also become very fond of her style and endlessly inspired by it, especially by her choice of her blazers.