At this point, it doesn’t matter how Napoleon does. Critics might love it or critics might hate it. It might crater at the box office, or it might single-handedly resuscitate the theatrical viewing experience.
A golden age of connectivity is ending. “I deleted my Facebook years ago, spend at least three to six months off Twitter every year, and Bluesky invites are just sitting in my inbox,” a friend tells me when I ask how her relationship to social media has changed in recent times.
