It is astonishing, but painting desperately needs her defenders and explainers. This most primal of arts, which goes back to the very beginning of the human story, seems to confuse and repel much of contemporary civilisation. Like bad-omen comets, proclamations still come of the death of painting.
A century ago, physics breakthroughs came in rapid sequence. There was quantum mechanics and Einstein’s theories of space and time, lots of new particles, two new nuclear forces, and eventually the standard model of particle physics. This progress and its technological applications commanded respect, if not outright fear.
