WE SENT our Holiday Wishes to subscribers before Christmas and shared a quick update of life lately on Christmas Eve. While this note was meant for Christmas Day itself, we think the warmth of the season still lingers enough for a day-late greeting.
IT WAS a beautiful sunny day in late December when we stopped by The Orange gastro pub, an historical gem nestled in the heart of Belgravia. Thought to be named after William of Orange, its origins trace back to the 1800s when it was originally established as a brewery on the grounds of a former coffee house.
YES, I KNOW, the holidays are over, and we (sadly) took down the tree yesterday and all the lights, but there are still so many beautiful photos we took in the past month that just didn’t think it would be right not to share them.
OUR FIRST Christmas film this year wasn't actually one of our usual old favourites (Christmas Vacation for P, The Holiday for me⏤although we've seen them both so much now that we mainly put them on as background ambience), but The Holdovers...
ON FRIDAY morning we drove up to Richmond Hill to see if we could catch the last of the turning leaves at the Viewing Point overlooking the Thames and also stopped by the bakery there that everyone loves, next to the wine shop on the corner.
The Luddites arrived on the streets of San Francisco much as they did in the English factories two centuries ago: under cover of darkness and with iconic weapons in hand. In this case, traffic cones.
10 Images With: Christiane Lemieux @christianelemieux THIS INSTALMENT of 10 IMAGES features the work of Christiane Lemieux, a Canadian-born entrepreneur, and interior and housegoods designer who also lists Photographer, Artist, Art Advisor, Author, and Founder of LEMIEUX ET CIE (a brand she launched in London in 2010) on her bio.
In 1967, the physicist John Wheeler was giving a lecture about a mysterious and startling phenomenon in deep space that the field was just beginning to understand.
When we talk about artificial intelligence, we rely on metaphor, as we always do when dealing with something new and unfamiliar. Metaphors are, by their nature, imperfect, but we still need to choose them carefully, because bad ones can lead us astray. For example, it’s become very common to compare powerful A.I.s to genies in fairy tales.
THERE ARE over 41,000 comments here at TIG. From strangers and friends, followers and readers⏤they are all legitimate, expressing thoughts, asking questions, leaving compliments, making connections...
THIS INSTALMENT OF 10 IMAGES features the cheerful and elegant photos of Belgian Youtuber/Influencer Melissa Aouragh (@mimiarr).
Finland has been ranked as the happiest country in the world for six consecutive years. A recent article in the NYT featured interviews with over a dozen Finns from different backgrounds and professions to determine what makes this country so happy. The consensus is that Finns are more content than happy and find satisfaction in leading sustainable lives, financial success, and being able to meet their basic needs.
In his 1976 book, Computer Power and Human Reason: From Judgment to Calculation, the computer scientist Joseph Weizenbaum observed some interesting tendencies in his fellow humans. In one now-famous anecdote, he described his secretary’s early interactions with his program ELIZA, a proto-chatbot he created in 1966. Following a set of rules meant to approximate patient-directed Rogererian psychotherapy, and following a simple script called DOCTOR, the program made quite an impression ...
People, trends, companies, culture—they live, and then they die. They come and go, and when they depart, it’s not by choice. Habituation breeds solace, but too much of that solace flips it into folly. The pillars of life became computational, and then their service providers—Facebook, Twitter, Gmail, iPhone—accrued so much wealth and power that they began to seem permanent, unstoppable, infrastructural, divine. But everything ends. Count on it.
The first thing that strikes me about Anna Sorokin when I meet her in person — after reading about her and watching Julia Garner play her with that elaborate Euro accent — is how regular she is. There’s nothing particularly charming or memorable about her, she’s not a smooth talker, and she’s not really stylish. But she is, in person, surprisingly deadpan funny. Having been behind bars for nearly five years (19 months in Rikers, 21 months in state prison, then 18 months in ICE detention), she has quite a sense of humor about being Anna Delvey.